SELECTED GROUP EXHIBITIONS
Reconsideration of Oblivion
22 June - 03 August, 2024
PTT Space, Taipei, Taiwan
Taro Furukata
Aisuke Kondo
Yukiko Nagakura
Liu Yu
Lan Chung-Hsuan
Olha Kuzyura
忘卻的再考察
08 October - 29 October, 2022
PTT Space，台北，台灣
古堅太郎
近藤愛助
長倉友紀子
劉玗
藍仲軒
奧爾哈庫久拉
View on PTT Space
22 June - 03 August, 2024
PTT Space, Taipei, Taiwan
Taro Furukata
Aisuke Kondo
Yukiko Nagakura
Liu Yu
Lan Chung-Hsuan
Olha Kuzyura
忘卻的再考察
08 October - 29 October, 2022
PTT Space，台北，台灣
古堅太郎
近藤愛助
長倉友紀子
劉玗
藍仲軒
奧爾哈庫久拉
View on PTT Space
In "Reconsideration of Oblivion", artists from Japan, Taiwan and Ukraine re-examine their own and others' journeys through time through the clues of "tracing the figure", "returning to the scene", and "metaphors of objects", and scrutinize the forgotten people and things, and use their artworks to bring out the perspectives of disintegration, colonization, anti-war, technology, feminism and so on.
Japanese artists Taro Furukata, Aisuke Kondo, and Yukiko Nagakura touch on the nuclear energy controversy, World War II internment camps, and human trafficking in Asia, exploring the discrepancy between history's grand narratives and individual lives. Ukrainian artist Olha Kuzyura, inspired by the restoration of people under the war, uses paper as a creative medium to express the desire to protect precious things. Taiwanese artist Lan Chung-Hsuan calmly examines the destructive nature of war and politics and exposes their absurdity. Taiwanese artist Liu Yu uses video to revisit the ruins of a building that was hit by an air raid, opening up a dialog between different periods.
Today, wars and conflicts are constantly raging around the world. The forgotten wounds of history are scattered throughout our daily lives. These wounds have not yet healed and continue to threaten us like ghosts. This exhibition will reconsider "Reconsideration of oblivion" beyond the past, present, and the future through cross-cultural exchanges.
在《忘却の再考察》（Reconsideration of Oblivion）展覽中，來自日本、臺灣和烏克蘭的藝術家們，透過「追尋身影」、「重返場景」、「物件的隱喻」等線索，重新檢視自身與他者的時光旅程，細察那些被遺忘的人事物，並以藝術作品帶出離散、殖民、反戰、科技、女性主義等視角。
日本藝術家古堅太郎（Taro Furukata）、近藤愛助（Aisuke Kondo）、長倉友紀子（Yukiko Nagakura）的作品內容觸及了核能爭議、二戰拘留營、亞洲人口販運，探討歷史大敘事與個人生命的歧異。烏克蘭藝術家奧爾哈．庫久拉（Olha Kuzyura）則以戰火下人們的修復行動為靈感，以紙為創作媒介，訴說保護珍貴事物的願望。臺灣藝術家藍仲軒（Lan Chung-Hsuan）冷靜省視了戰爭和政治的破壞性，並暴露出其中的荒謬感。臺灣藝術家劉玗（Liu Yu）透過影像重回遭遇空襲的建物遺跡，從中展開不同時空的對話。
當前，全球各地的戰爭和衝突持續不斷，歷史中被遺忘的傷痕在我們日常生活中隨處可見。這些傷痕似乎仍然無法癒合，就像鬼魂一樣，繼續威脅著我們。這次展覽將從過去、現在和未來的關聯性中，對歷史中的遺忘重新進行思索。
Japanese artists Taro Furukata, Aisuke Kondo, and Yukiko Nagakura touch on the nuclear energy controversy, World War II internment camps, and human trafficking in Asia, exploring the discrepancy between history's grand narratives and individual lives. Ukrainian artist Olha Kuzyura, inspired by the restoration of people under the war, uses paper as a creative medium to express the desire to protect precious things. Taiwanese artist Lan Chung-Hsuan calmly examines the destructive nature of war and politics and exposes their absurdity. Taiwanese artist Liu Yu uses video to revisit the ruins of a building that was hit by an air raid, opening up a dialog between different periods.
Today, wars and conflicts are constantly raging around the world. The forgotten wounds of history are scattered throughout our daily lives. These wounds have not yet healed and continue to threaten us like ghosts. This exhibition will reconsider "Reconsideration of oblivion" beyond the past, present, and the future through cross-cultural exchanges.
在《忘却の再考察》（Reconsideration of Oblivion）展覽中，來自日本、臺灣和烏克蘭的藝術家們，透過「追尋身影」、「重返場景」、「物件的隱喻」等線索，重新檢視自身與他者的時光旅程，細察那些被遺忘的人事物，並以藝術作品帶出離散、殖民、反戰、科技、女性主義等視角。
日本藝術家古堅太郎（Taro Furukata）、近藤愛助（Aisuke Kondo）、長倉友紀子（Yukiko Nagakura）的作品內容觸及了核能爭議、二戰拘留營、亞洲人口販運，探討歷史大敘事與個人生命的歧異。烏克蘭藝術家奧爾哈．庫久拉（Olha Kuzyura）則以戰火下人們的修復行動為靈感，以紙為創作媒介，訴說保護珍貴事物的願望。臺灣藝術家藍仲軒（Lan Chung-Hsuan）冷靜省視了戰爭和政治的破壞性，並暴露出其中的荒謬感。臺灣藝術家劉玗（Liu Yu）透過影像重回遭遇空襲的建物遺跡，從中展開不同時空的對話。
當前，全球各地的戰爭和衝突持續不斷，歷史中被遺忘的傷痕在我們日常生活中隨處可見。這些傷痕似乎仍然無法癒合，就像鬼魂一樣，繼續威脅著我們。這次展覽將從過去、現在和未來的關聯性中，對歷史中的遺忘重新進行思索。
LAN Chung-Hsuan
dead end 末路, 2022
Objects from the artist's collection
Multiple dimensions
dead end 末路, 2022
Objects from the artist's collection
Multiple dimensions
LAN Chung-Hsuan
A Pleasant Solution 令人欣慰的方案, 2023
Archival inkjet print
150 x 230 cm
A Pleasant Solution 令人欣慰的方案, 2023
Archival inkjet print
150 x 230 cm
LAN Chung-Hsuan
Origin - Rainbow 起源 - 彩虹, 2023
Archival inkjet print
25 x 20 cm
Origin - Rainbow 起源 - 彩虹, 2023
Archival inkjet print
25 x 20 cm
SOLO EXHIBITIONS
GROUP EXHIBITIONS
FEATURES
CURATING
PRESS
TEXT
CV
@lanchunghsuan
[email protected]
LAN CHUNG-HSUAN © 2024
GROUP EXHIBITIONS
FEATURES
CURATING
PRESS
TEXT
CV
@lanchunghsuan
[email protected]
LAN CHUNG-HSUAN © 2024